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Molly ringwald metoo essay

Molly ringwald metoo essay

Molly Ringwald's #MeToo Blunder

In an eye-opening essay for The New Yorker, Molly Ringwald acknowledges that John Hughes' films were problematicwhile also pointing out why they still hold value for audiences today. Early on in the essay, Ringwald explained that she's never been a big fan of revisiting her own work. The actor explained that the scene where Bender not only peeks up her character's source, but also seemingly touches her inappropriately left Ringwald feeling particularly unsettled.

As she continued viewing the film Ringwald came to realize that Bender was emotionally abusive to her character throughout, and that ultimately he was rewarded for his behavior.

The actress and author Molly Ringwald writes about revisiting the movies she made with the late director John Hughes, including “The. Molly Ringwald said she's happy that people are reassessing her classic s movies, like The Breakfast Club and Sixteen Candles, more.

The actress, who starred in three of the director's most iconic films, has some lingering thoughts in the wake of the #MeToo movement. Molly Ringwald is probably most remembered for her lead roles in John Hughes' beloved s films The Breakfast Club, Pretty in Pink, and Sixteen Candles. In a new essay for The New Yorker, Ringwald highlights the ways that Hughes' films have fallen out of sync with culture, especially in light of the ongoing #MeToo moment. In light of the recent #MeToo and Time’s Up movements, 80s icon Molly Ringwald is opening up about what scenes bothered her from John Hughes’ teen.

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